Search results for " avant-garde"
showing 10 items of 10 documents
La Sala Parpalló en el Centre Cultural La Beneficència (1995-1999)
2020
During the period 1995-1999, the Sala Parpalló was located in the Beneficència Cultural Center of Valencia, sharing the place with the spaces of the Museum of Prehistory, the Museum of Ethnology and the IVEI. In the investigation it exposed a technical file for each of the 57 self-produced exhibitions carried out in the period and a selection of the studies that accompanied them: the files are displayed chronologically according to the procedures used. The work concludes with the analysis of the objectives that were mainly all the programming: 1) Sala Parpalló as an integrated project; 2) Studies and exhibitions around the Valencian Cultural Imaginary; 3) Analysis of the postmodern crisis; …
Forms and functions of Hundertwasser's writings
2018
The research focuses on the abundant writing of Hundertwasser and its place in the positioning of this actor of artistic renewal. He is recognized for his singular "work-life", since, aiming to upset society, he has expanded his field, from painting to ecology, via architecture. Starting from the geohistorical context, from the pictorial background of the beginning of the 20th century, the theories of 20th-century German scientists and "prophets" and the emergence of environmental movements, it is a question of studying the many poems, stories, speeches, manifestos, interventions in the media and comments, where Hundertwasser exposes and develops his convictions. The aim is to show that the…
Rayuela de visiones imaginarias del flamenco
2008
El imaginario colectivo no sólo ha incidido en el arte y en el espectador sino que también se ha transformado en el tiempo. Desde la literatura, intelectuales, compositores, investigadores, artistas plásticos hasta las nuevas tecnologías, han construido una complejidad de sustratos que permanecen con diferente intensidad y que configuran el calidoscopio de la visión artística. En estas líneas nos aproximamos a distintas visiones sobre el flamenco, la crítica social de la generación del 98; al lado más humano del romanticismo de Glinka; a los nuevos ingenios: “fonoarqueología” y primeras imágenes fotográficas del flamenco, centrándonos en los procesos técnicos y químicos; el mundo de la inve…
Arrebato, Rapture (Iván Zulueta, 1980)
2005
El objetivo de este ensayo es analizar desde una perspectiva experimental el film Arrebato (I. Zulueta, 1980) poniendo de relieve el sistema de apropiaciones y referencias de otros films y manifestaciones de la cultura visual. El relato que sirve de base a Zulueta es el de la devoración y el vampirismo. The purpose of this essay is to analyze Ivan Zulueta's cult movie, Rapture (1980), from an experimental point of view. As a metalinguistic film, Rapture (Arrebato) is full of references and resources coming from the images (comics, photography, cinema, and so on). Nonetheless, the singularity of this film consists of re-reading a certain amount of avant-garde and pop culture films from the 6…
Drawing and Project at the VChUTEMAS. Graphic Interpretations
2019
The article deals with the graphic study of the project for the Kominern Palace designed in 1929 by Lidija Komarova, one of the students of the Russian Laboratories known by the acronym VChUTEMAS, founded in 1920 in Moscow. Strongly characterized by the revolutionary atmosphere that was delineating the artistic progress based on the synthesis of all the plastic arts, the Russian Laboratories attributed to the architecture a position of the first order, a perfect association between the scientific possibility and the art technique. The redrawing of this project allows to deepen the compositional principles of the new architectural formation of the Eastern European avant-garde, providing digi…
Movements by Drawing: Avant-Garde Set-Design and Sound Landscapes
2018
The article deals with the study of visual images produced by the movement through the drawing’s set-design realized between 1920 and 1930, moment of theatre revolution, which saw the cooperation of different sectors of art, including photography, painting, architecture, cinema, dance, sculpture, and music. The visual values that triggered the theorization of the artistic avant-garde and, subsequently, the production of the scenographic drawing, in form and space, constitute a corollary of dynamic systems, a metaphor of the deconstructed movement through the figuration of the idea and at the same time signification of the interpretative distortion. The aim is to deepen the issue of movement…
Simultaneità e alterazione. Forme e immagini di luce in narrazione visuale
2018
Questo studio fornisce una modalità di lettura dell’immagine basata sul riconoscimento dei termini grafici relativi alla didattica dei Vchutemas e del Bauhaus: la struttura, la texture e la costruzione. L’obiettivo è quello di esplorare il disegno delle avanguardie artistiche attraverso uno spazio digitale tridimensionale restituendo nuove immagini prodotte dalla molteplicità dei punti di vista dei modelli (proiezioni ortogonali, assonometrie, esplosi). Si tratta di una narrazione grafica che dalla geometria delle forme si configura nelle ombre e nelle trasparenze dei volumi attraverso i materiali relativi al linguaggio visuale e alla rappresentazione dell’architettura. The article gives a …
L'Oulipo ou la Nouvelle Vague du Classicisme
2010
The Oulipo establishes a new relationship with Antiquity, one which submits to a reevaluation and not to a process of destruction: by means of an analytic tendency, the Oulipo relives forgotten works or rereads the literature so dear to Classical tradition. With regards to its relationship with contemporary avant-garde, the Oulipo, which upholds the idea of a voluntary literature, opposes Surrealism, but shares with Tel Quel the playful notion of literature and the intent of reevaluating text as a practice founded on an handcrafted perception of a writer’s creation. The Oulipo’s answer to Nineteenthcentury Realism’s desire to break from narrative conventions animating Tel Quel and the Nouve…
Uptown-Downtown: New York Theatre from Tradition to Avant-garde
2005
La tradición clásica como referencia de vanguardia: la Antigüedad griega y romana en la obra del pintor Gregorio Prieto (1897-1992)
2019
This article analyses the impact of classical tradition on the artistic production of Gregorio Prieto (1897-1992), painter par excellence of the Generation of 1927. It will be discovered how this influence, far from becoming a conservative reference, would constitute an incentive for his entailment with the avant-garde, especially with surrealism. Although the classic trace is found with more intensity in the creations produced during his Roman years, between 1928 and 1929, when he also made important trips to Sicily and Greece, Greece and Rome would nevertheless continue to be constitutive of his aesthetic experience throughout his later and extensive career.